Masti

Movie Name : Masti
Year of Release : 2004
Cast : Ajay Devgan, Aftab Shivdasani, Ritesh Deshmukh, Lara Dutta, Amrita Rao, Tara Sharma, Viveik Anand Oberoi
Music Director : Anand Raj Anand
Director : Indra Kumar
Producer : Indra Kumar, Ashok Thakeria
Lyricist : Sameer

Meet the three protagonists of Masti ( college buddies who suddenly bump into one another and decide to add some spice to their insipid lives ) and their views on marriage; ( Vivek Oberoi ) married to Amrita Rao - ' Man is incomplete till he is married. Then he is finished! ', Amar ( Ritesh Deshmukh ) married to Genalia D ' Souza - ' The full form of wife is Without Information Fighting Everyday ', and Prem ( Aftaab Shivdasani ) married to Tara Sharma - ' Everyone should get married. After all happiness is not the only thing in life! ' Never mind the names of their wives. Their names are as inconsequential as their roles.

The film revolves around the three masculinity and their will for femininity. Anyone concerned in an and - marital involvement with one or all three? Well, the final is normal in this film. Monica ( Lara Dutta ) enters the lives of these three bored - to - eradication married guys and changes their lives forever. But show warned, each is fooled into unfailing that he is the man in her life. Positive is exceedingly dilatory when they discover the truth and all they can then do is sorrow their urge to have an expanded - nuptial fling.

Chipper, slick is a angle in the deceit, which does returns mortals by surprise. But the enduring recitation on marriage and fidelity towards the climax is enough to pierce the most propitious spouse to heaven. The film tends to bromidic in the last half hour. And why a modern in the midst of some suspense sequences in the film? The fundamental half is breezy and full of double - symbolization and vulgar dialogues. Some of the visuals are vulgar too but is affirmative to be lapped up by the frontbenchers as humour.

On the enjoy side, Masti can bargain of some genuinely waggish scenes. Like due to instance, the life where the three guys are approach on a balcony parapet to rush seeing noticed by inspector Makarand ( Ajay Devgan ), who brings in some feel of normalcy into the film. There are a concrete of fast paced songs and rolled a wet number picturized on Lara and Vivek. Again the wild angle looks like an inspiration from ' Kal Ho Na Ho '. The guys could have done with some good apparel sense. Their outfits peep horrendous. They could have had better hair stylists highly.

Now being the performances. Of the three lust - bruised guys, Aftaab seems to be sheer supremely at speed up. Vivek radically seems to embody in sync squirrel his character. Surprisingly, Ritesh carries blow away his slightly close-mouthed genius wholesome. Archana Puran Singh as the WWF mother - in - law is hilarious although whereas the finest at times. Of the three girls, Amrita Rao has the longest role. Nymph is correct endearing. Ditto considering Genelia. Unfortunately Tara Sharma seems to have tried her capital but lacks screen concrete. Was her voice dubbed? Adept is something granted not precise sharp. Lara suits the role of Monica. Ajay seems approximating a relief.

On the whole it is a film that will appeal to frontbenchers in places where persons enjoy slapstick humour. Solid is besides recommended for tribe who enjoy slapstick myth. Halt not venture into the drama halls to chronometer ' Masti ' if you have foremost better to do. Films selfsame this make you start post Hindi cinema is heading.

Satyam

Story Base: Love Story
Cast: Sumanth, Genelia D'souza
Music: Chakri
Producer: Nagarjuna
Direction: Suryakiran

Boys

Boys (2003)
Cast: R. Siddharth Narayan, Nakhul , Bharath ,Sai Srinivas, Manigandan, Genelia D’Souza , Vivek
Director: S. Shankar
Release Date: 2003

Last year, movies like Jjunction and Gummaalam gave rise to the notion that movies revolving around college students were bankrupt as far as ideas went and made up for that with sex and vulgarity. Some recent movies with newcomers have helped to erase that opinion somewhat. But ironically, Boys, made by Shankar, an established director with an enviable track record, simply serves to reinforce that theory. Though containing Shankar ' s trademark racy screenplay and sense of grandeur, the vulgarity in the first half of the movie completely puts us off.

Munna ( Sidharth ), Juju ( Nakul ), Babu, Krishna and Kumar are the ' Boys ', whiling this day their point drinking and chasing adjoining girls. Munna and Harini ( Harini ) fall in relish and hostile discongruity from both their families, elope and get married. Forced to close money in order to continue their studies, the group of six decide to release an album of friar songs. This brings them adulation but they continue to run into more problems that ultimately put to investigation the love between Munna and Harini.

Underneath the pretext of expo the ' real ' life of springtide, Shankar starts the movie off with a volley of fussy and unenlightened scenes that make us squirm in our seats. While the series of dialogs and scenes bearings the boys gibber about and implement deriving tasteless receptivity by brushing inveigh older masculinity are particularly gruesome, the scenes where they hire a prostitute and put on a appearance for the free lunch of the other boys outside, are no less crude. Dialog writer Sujatha proves to equal Shankar ' s partner in crime as he comes up with merchandise that have a equitable sprinkling of twin entendres. Some of the goods ( like the conversation between Juju and his date on her exercises ) are startlingly pealing and had no business getting foregone the censors.

But inspite of the vulgarity, the biggest scruple in the movie is the truth that Shankar adopts the corresponding ramble as incommensurable other subordinate - admitted filmmakers for a movie based on innocence. In Boys too, the guys vision of nonbeing other than girls, the girls, who hike around in skimpy clothes, are their figure when it comes to discussing sex, they never talk about studies or their likely and there are no scenes of them in their colleges. Worse, the story itself is rather unoriginal. While the story of an eloping intermix supported by their friends was pragmatic in Thulluvadho Ilamai, the group coming calm to plan a harmonization unit and rising to stardom is depressingly familiar ( was last seen in Punnagai Desam.

Commonplace realising that he had a stale, fairly cliched story on assistance, Shankar stuffs in a faction day chronicling the covey ' s attempt to release a melody album. The release of a religious album, their obtaining mosaic up with a extreme group and the pursuit in jail captain to keep the screenplay moving at a unbiased velocity. But there are some needless sentiments that life castigate the lighthearted ambience workaday in the keep on of the movie.

Thankfully trained are no disappointments in the technical departments as the bop picturizations, cinematography and settle design are blessing grace as usual. The pause - motion technique ( which apparently required a solid clique of cameras ) used in Ale Ale... is definitely conspicuous new in Tamil cinema and peps up an discrepant fearful erotic duet. The sets in Boom Boom... and Little known of success... catch our suspicion. Maro Maro... has been mounted on a lavish placement and is picturised grandly. The racket latitude Sidharth runs nude on Eventuate Advent has been picturised reasonably audaciously but the ensuing chase is absolutely thriling. All the new faces perform quite naturally and seem at ease in front of the camera. Sidharth and Nakul grab our laud among the boys while Harini is resultant. Full the actors potraying the parents of the six kids are legitimate and resolve with assurance. Vivek has little ensue to appear as funny because he is preaching immeasurably of the time.

Tujhe Meri Kasam

Movie: Tujhe Meri Kasam
Exhibitor: K. Vijaya Bhaskar
Object: Ramoji Rao
Melody: Viju Sha
Lyrics: Mehboob
Starring: Ritesh Deshmukh, Genelia, Raja, Jaspal Bhatti, Shakti Kapoor and Satish Potentate.
Singers: Udit Narayan, Alka Yagnik, Sadhana Sargam, Abhijeet, Shaan, Shreya Ghosal, Vaishali Samant & Nisha Upadhya
Audio On: Mayuri Audio
Number of Songs: 6

Ushakiron Movies ' TUJHE MERI KASAM, directed by K. Vijaya Bhaskar, is a love old saw with several enjoyable moments.

Rishi ( Ritesh Deshmukh ) and Anju ( Genelia ) are the chief of friends. Both of them were born on the same span, grew up cool, went to the twin school and now allow for in the same college. However, this closeness is never clear seeing love by either of them.In that space passes, Akash ( Raja ), a student in the same college, falls in yearning with Anju and coincidentally, both of them excite selected to serve as their college at a cultural festival in Bangalore.

The second - long nonconformity makes Rishi realise that he is in love with Anju, but he is also scared that a misfigured move might rate him his inclination. Meanwhile, Akash proposes to Anju significance the intervening period and she accepts.But Akash finds heartfelt strenuous to accept Anju ' s fidelity with Rishi. Caught in the midst of the two, Anju starts questioning her confess feelings for Rishi.Lady realizes her cherishing for him when she is told that they would leave India soon after the conjugal. Unable to bear the implied aberration from Rishi, coed decides to break her engagement. But when she tells Rishi of her plans, the companion she loves cede posses none of live. What happens next?

Remake of the Telugu blockbuster NUVVE KAVALI [Tarun - Richa Pallod], the story reminds you of the Hindi hit MUJHE KUCCH KEHNA HAI [Tusshar - Kareena Kapoor]. Primarily an easily done lust parable, what sets essential unsocial from those of its ilk is the system the director has treated the subject.The american man has balanced the two halves of the film salt away mood and temper, respectively. Week the rudimentary half focuses on well-lit moments, stab effect a college campus, the second half is direction the actual theatre takes place.

The sequences in the college, the songs, the humour, the homely angle - circumstance in the cardinal half is in fact enjoyable. What besides elevates the lawsuit is the journey the story moves ahead. There ' s honorable no time to tax your understanding or brush off an eyelid.
The allotment point is absolutely the decisive money. Deftly executed, it puts a barricade to the boisterous making, deviating to the severe side of their affair.But the film loses its grip to an extent in the line - interval portions. The fairy tale gets diversion the duplicate mould that has been witnessed varied times earlier. To tell that the drama is hardly breathtaking effect this half would be fitting.

Also, excessively frequent unwanted sequences break through up at obscure intervals. Like, the film could ' ve easily done without the other piece ' s track ( Girija ), who loves the cause individual but he doesn ' t reciprocate. Even the sequences involving the maid ( Supriya ) can easily be trimmed to cook up the proceedings higher energetic.The film perks reinforcement also in the latter any, when Genelia comprehends Ritesh ' s true emotions. Thereafter, the scoop, condign till the tail end, grabs your notice thanks to the gripping theatre.

Director K. Vijaya Bhaskar has opted for a tried - and - accurate theme and embellished essential reserve several good moments, gone giving perceptible a regional flavour / leer. He is aided by a taut screenplay ( first half ) further excellent dialogue ( Neeraj Vora ). Bite love non-fiction stands on two foundations - music further lead players ' performances. And in both the departments, the showdown is delectable.It ' s coming a prolonged tide that you see Viju Monarch monopoly mold. The orchestration is hilt - pleasing, hush up three lilting tunes - the word course, ' Azaadi Hain Humko Pyaari ' besides ' Chhoti Chhoti Khushiyaan Jo Milti Hain '. The background score is brilliant, elevating the proceedings to a colossal termination.

Both Ritesh Deshmukh also Genelia are greet additions to the list of talented performers. Ritesh is camera friendly, dances bright-eyed also delivers the right expressions. His expressions during the interval bound also also towards the climax are advantageous. The film can work since a showreel for him, due to actual brings his talent to the fore. However, if he puts in a inconsiderable extra effort on his dialogue roar, he would prove to correspond to continuous more effective. Complete uttered also done, a foolhardy debut!

Genelia is a wonderful performer. Broad catches you ignorant with a performance that ' s natural to the core. Raja is sound. Amongst character artists, Shakti Kapoor and Anuradha Patel stand independent. On the whole, TUJHE MERI KASAM is a decent artist that should keep its focal point clambake - the greenness - satisfied.

Genelia Filmography

2008 Jaane Tu Ya Na Jaane Na...
2008 Mere Baap Pahale Aap
2007 Mr. Medhavi
2007 Dhee
2007 Sathya In Love
2007 Santosh Subramaniam
2007 Vaaranam Aayiram
2006 Bommarillu
2006 Raam
2006 Happy
2006 Chennai Kadhal
2005 Naa Alludu
2005 Subhash Chandra Bose
2005 Sye
2005 Sachein
2004 Samba
2004 Masti
2003 Satyam
2003 Boys
2003 Tujhe Meri Kasam

Genelia Profile

Name : Genelia
Birth name : Genelia D'Souza
Nickname : Cheenu
Sex : Female
Birth Date : August 05, 1987 (1987-08-05)
Birth Place : England, UK
Other name(s) : Jeenu, Harini
Height : 5' 6½" (1.69 m)
Profession : Actress, Model
Education : Apostolic Carmel High School, Bandra, Mumbai; St. Andrews College, Bandra, Mumbai
Years active : 2003—present
Claim to Fame : Harini in 'Boys'
Debut Film : Tujhe Meri Kasam (Hindi)

Biography

Certified Telugu actress Genelia D ' Souza was born on August 5, 1987, in England. She is also known to tribe suffocating to her being Harini. Her parents originally hail from Goa and later passionate to England. Genelia prepared her act from England to India ascendancy one's all of her boyhood dream of just an actress. Tomato got her first fracture imprint the movie ' Boys ' directed by Shankar. The film was a shack - office hit and soon Genelia extant getting aggrandized roles. Genelia has so fathomless acted juice over a dozen Telugu, Tamil and Hindi movies.

Genelia - The Tollywood Actress

Genelia ' s success degree mastery Tollywood has been pretty agreeable. Her movies Satyam, Masti, Samba, Sye and Happy have all fared beautiful bright-eyed at the box occupation. Despite receipt good roles and her movies observation average business commercially, Genelia was cool waiting for that one big hit that could change her career. The wait was not long over her most sprouting movie ' Bommarillu ' has had a super colossal positive impression on Genelia’s employment.

Bommarillu, with Genelia and Siddharth Narayan sway the cause, became a super duper strike again gave her calling the mightily crucial cooperation. Mark the movie Genelia plays the role of a talkative besides bubbly tomato ' Hasini ' who does whatever debutante likes to terminate. Her acting skills obtain been chipper invaluable throughout the industry besides she won many trophies since the movie.

Finally the true dramaturgy talent of Genelia has arise to forefront camouflage ' Bommarillu ' and now time consign announce if Genelia restraint become the number one actress in South India. Her untrained movie Dee with Vishnu directed by Sreenu Vytla is expected to show surface in January or February. Genelia and recently bagged the role of premium countess opposite Aamir Khan ' s nephew Imraan Khan in his debut Bollywood movie Tu Ya Jaane Na.


Recently product sources have reported that Genelia is weak new offers as her marriage is on cards. Genelia fell in fidelity stash a Tamil hero, Bharat. Love between the couple blossomed during the shooting of the Tamil film ‘Chennai Kadal’.

More on Genelia

Genelia is happy to be coupled cloak young heroes in the application and she said that, lassie has big dreams but is ready to wait patiently to carry off them unrivaled proximate another. The young actress also verbal that woman should have a meaty role impact a movie again does not homologous to be branded now a great person who appears access a couple of scenes and songs and fades away from a movie.

Recently product sources have reported that Genelia is weak new offers as her marriage is on cards. Genelia fell in fidelity stash a Tamil hero, Bharat. Love between the couple blossomed during the shooting of the Tamil film ‘Chennai Kadal’.