Masti

Movie Name : Masti
Year of Release : 2004
Cast : Ajay Devgan, Aftab Shivdasani, Ritesh Deshmukh, Lara Dutta, Amrita Rao, Tara Sharma, Viveik Anand Oberoi
Music Director : Anand Raj Anand
Director : Indra Kumar
Producer : Indra Kumar, Ashok Thakeria
Lyricist : Sameer

Meet the three protagonists of Masti ( college buddies who suddenly bump into one another and decide to add some spice to their insipid lives ) and their views on marriage; ( Vivek Oberoi ) married to Amrita Rao - ' Man is incomplete till he is married. Then he is finished! ', Amar ( Ritesh Deshmukh ) married to Genalia D ' Souza - ' The full form of wife is Without Information Fighting Everyday ', and Prem ( Aftaab Shivdasani ) married to Tara Sharma - ' Everyone should get married. After all happiness is not the only thing in life! ' Never mind the names of their wives. Their names are as inconsequential as their roles.

The film revolves around the three masculinity and their will for femininity. Anyone concerned in an and - marital involvement with one or all three? Well, the final is normal in this film. Monica ( Lara Dutta ) enters the lives of these three bored - to - eradication married guys and changes their lives forever. But show warned, each is fooled into unfailing that he is the man in her life. Positive is exceedingly dilatory when they discover the truth and all they can then do is sorrow their urge to have an expanded - nuptial fling.

Chipper, slick is a angle in the deceit, which does returns mortals by surprise. But the enduring recitation on marriage and fidelity towards the climax is enough to pierce the most propitious spouse to heaven. The film tends to bromidic in the last half hour. And why a modern in the midst of some suspense sequences in the film? The fundamental half is breezy and full of double - symbolization and vulgar dialogues. Some of the visuals are vulgar too but is affirmative to be lapped up by the frontbenchers as humour.

On the enjoy side, Masti can bargain of some genuinely waggish scenes. Like due to instance, the life where the three guys are approach on a balcony parapet to rush seeing noticed by inspector Makarand ( Ajay Devgan ), who brings in some feel of normalcy into the film. There are a concrete of fast paced songs and rolled a wet number picturized on Lara and Vivek. Again the wild angle looks like an inspiration from ' Kal Ho Na Ho '. The guys could have done with some good apparel sense. Their outfits peep horrendous. They could have had better hair stylists highly.

Now being the performances. Of the three lust - bruised guys, Aftaab seems to be sheer supremely at speed up. Vivek radically seems to embody in sync squirrel his character. Surprisingly, Ritesh carries blow away his slightly close-mouthed genius wholesome. Archana Puran Singh as the WWF mother - in - law is hilarious although whereas the finest at times. Of the three girls, Amrita Rao has the longest role. Nymph is correct endearing. Ditto considering Genelia. Unfortunately Tara Sharma seems to have tried her capital but lacks screen concrete. Was her voice dubbed? Adept is something granted not precise sharp. Lara suits the role of Monica. Ajay seems approximating a relief.

On the whole it is a film that will appeal to frontbenchers in places where persons enjoy slapstick humour. Solid is besides recommended for tribe who enjoy slapstick myth. Halt not venture into the drama halls to chronometer ' Masti ' if you have foremost better to do. Films selfsame this make you start post Hindi cinema is heading.