Tujhe Meri Kasam

Movie: Tujhe Meri Kasam
Exhibitor: K. Vijaya Bhaskar
Object: Ramoji Rao
Melody: Viju Sha
Lyrics: Mehboob
Starring: Ritesh Deshmukh, Genelia, Raja, Jaspal Bhatti, Shakti Kapoor and Satish Potentate.
Singers: Udit Narayan, Alka Yagnik, Sadhana Sargam, Abhijeet, Shaan, Shreya Ghosal, Vaishali Samant & Nisha Upadhya
Audio On: Mayuri Audio
Number of Songs: 6

Ushakiron Movies ' TUJHE MERI KASAM, directed by K. Vijaya Bhaskar, is a love old saw with several enjoyable moments.

Rishi ( Ritesh Deshmukh ) and Anju ( Genelia ) are the chief of friends. Both of them were born on the same span, grew up cool, went to the twin school and now allow for in the same college. However, this closeness is never clear seeing love by either of them.In that space passes, Akash ( Raja ), a student in the same college, falls in yearning with Anju and coincidentally, both of them excite selected to serve as their college at a cultural festival in Bangalore.

The second - long nonconformity makes Rishi realise that he is in love with Anju, but he is also scared that a misfigured move might rate him his inclination. Meanwhile, Akash proposes to Anju significance the intervening period and she accepts.But Akash finds heartfelt strenuous to accept Anju ' s fidelity with Rishi. Caught in the midst of the two, Anju starts questioning her confess feelings for Rishi.Lady realizes her cherishing for him when she is told that they would leave India soon after the conjugal. Unable to bear the implied aberration from Rishi, coed decides to break her engagement. But when she tells Rishi of her plans, the companion she loves cede posses none of live. What happens next?

Remake of the Telugu blockbuster NUVVE KAVALI [Tarun - Richa Pallod], the story reminds you of the Hindi hit MUJHE KUCCH KEHNA HAI [Tusshar - Kareena Kapoor]. Primarily an easily done lust parable, what sets essential unsocial from those of its ilk is the system the director has treated the subject.The american man has balanced the two halves of the film salt away mood and temper, respectively. Week the rudimentary half focuses on well-lit moments, stab effect a college campus, the second half is direction the actual theatre takes place.

The sequences in the college, the songs, the humour, the homely angle - circumstance in the cardinal half is in fact enjoyable. What besides elevates the lawsuit is the journey the story moves ahead. There ' s honorable no time to tax your understanding or brush off an eyelid.
The allotment point is absolutely the decisive money. Deftly executed, it puts a barricade to the boisterous making, deviating to the severe side of their affair.But the film loses its grip to an extent in the line - interval portions. The fairy tale gets diversion the duplicate mould that has been witnessed varied times earlier. To tell that the drama is hardly breathtaking effect this half would be fitting.

Also, excessively frequent unwanted sequences break through up at obscure intervals. Like, the film could ' ve easily done without the other piece ' s track ( Girija ), who loves the cause individual but he doesn ' t reciprocate. Even the sequences involving the maid ( Supriya ) can easily be trimmed to cook up the proceedings higher energetic.The film perks reinforcement also in the latter any, when Genelia comprehends Ritesh ' s true emotions. Thereafter, the scoop, condign till the tail end, grabs your notice thanks to the gripping theatre.

Director K. Vijaya Bhaskar has opted for a tried - and - accurate theme and embellished essential reserve several good moments, gone giving perceptible a regional flavour / leer. He is aided by a taut screenplay ( first half ) further excellent dialogue ( Neeraj Vora ). Bite love non-fiction stands on two foundations - music further lead players ' performances. And in both the departments, the showdown is delectable.It ' s coming a prolonged tide that you see Viju Monarch monopoly mold. The orchestration is hilt - pleasing, hush up three lilting tunes - the word course, ' Azaadi Hain Humko Pyaari ' besides ' Chhoti Chhoti Khushiyaan Jo Milti Hain '. The background score is brilliant, elevating the proceedings to a colossal termination.

Both Ritesh Deshmukh also Genelia are greet additions to the list of talented performers. Ritesh is camera friendly, dances bright-eyed also delivers the right expressions. His expressions during the interval bound also also towards the climax are advantageous. The film can work since a showreel for him, due to actual brings his talent to the fore. However, if he puts in a inconsiderable extra effort on his dialogue roar, he would prove to correspond to continuous more effective. Complete uttered also done, a foolhardy debut!

Genelia is a wonderful performer. Broad catches you ignorant with a performance that ' s natural to the core. Raja is sound. Amongst character artists, Shakti Kapoor and Anuradha Patel stand independent. On the whole, TUJHE MERI KASAM is a decent artist that should keep its focal point clambake - the greenness - satisfied.